Selected Writing

Note: All Substack posts are archived here.

• Do Not Research | The Narco-Image
• The end is no end: on cinematic hauntings | Nova Express
• Osmos Magazine | Camel Collective
• Frieze | Amie Siegel Scrutinizes Aristocratic Estates
• Mubi Notebook | Patrick Magee in One Shot
• The Believer | Enter Ghost
• Frieze | ‘His House’ and the Horrors of the UK Immigration System
• Frieze | ‘The Social Dilemma’ Offers Fake Solutions to Real Problems
• Frieze | Christopher Nolan’s 'Tenet' Might Just Kill You
• The Believer | The Self-Moving Image
• Affidavit | Remake / Remodel
• Vice / Terraform | Finding
• Anthony Greaney Gallery | Premises, Guggenheim Museum SoHo, 1998
• Prague Quadrennial of Performance Design and Space | On Utopia and Boredom
• Frieze | Vice
• Guggenheim Bilbao | Euphonia
• N+1 | Decision Engines
• Affidavit | The Making of The Entire City
• Bomb Magazine 138, Winter 2017 | How to Tell a Story
• Mousse Magazine 55 + 53, 2016 | Move 37: Artificial Intelligence, Randomness, and Creativity
• Mousse Magazine 50, October 2015 | A Sentimental Analysis
• Guggenheim Museum, Storylines, 2015. | Phantom Library
• Spike Magazine | Blockbuster Bliss Point
• Mousse 48, April-May 20015 | On Satin Island
• Mousse Magazine 43 + 45, March, October 2014 | Stylometry Parts I & II
• Frieze, Issue 161, March, 2014 | Ok Computer
• Mousse Magazine 42, February 2014 | Her
• Witte de With Review, 2014. | The Conquering Worm
• Mousse Magazine 40, September 2013 | Museum of Malware
• dOCUMENTA(13) | Tongueless
• dOCUMENTA(13) | Of Business and Pleasure - An Essay
• dOCUMENTA(13) | The Leader
• dOCUMENTA(13) | Two Hundred Years of Mad Travelling
• dOCUMENTA(13) | Dead Letters
• dOCUMENTA(13) | A Report on the City
• Draw It with Your Eyes Closed: The Art of the Art Assignment | Draw it with your eyes closed
• Artissima 18 | Hypnotic Show: Artissima 18
• Frieze, Issue 140, June-August 2011 | Dream Factory
• A Prior, Issue 21 | Consuelo's Medusa
• Domus online, 2011. | Among the Goths: Some Notes on El Chopo
• Published in Celeste, October 2010, Mexico City. | A Report on the City
• Art in America, June, 2010. | Arrangement in Dust and Failure: Melvin Moti
• Trouble, France, 2010. | Diptych
• Art in America online, May 12, 2009 | Minor Histories: An Interview with Melvin Moti
• "Prophets of Deceit," CCA Wattis, San Fransisco, 2006. | Letters from the Apocalypse
• French in Le Journal des Laboratoires n°6, September, 2006. | An Interview with Yvane Chapuis
• Pazmaker, issues 2 and 3 (2006). | The Death of Syd Barrett
• "Parachute," Issue 120, 2005. | A Philosophy of Boredom
• Parachute, Canada, Issue 118. | The Art of Forgetting: Speculative Archive's "It's Not My Memory of It"
• Parachute, Canada, Issue 116. | Andrea Fraser: Friedrich Petzel Gallery, New York, June 10 – July 9
• "Parachute", Canada, Issue 113. | Real-Time Futures: Five Notes on the Work of Wolfgang Staehle
• | Salò Redux
• "Emily Jacir," Linz, Austria, 2003. | Undiminished Returns: The Work of Emily Jacir, 1998-2002
• "GNS", ed. Nicolas Bourriaud, Palais de Tokyo. 2003. | The Detective
• THE THING, April, 2002 | The Susan Sontag Effect
• THE THING, February, 25, 2003 | A Day in April
• THE THING, June, 2003. | The Occupied Imagination of Elia Suleiman
• THE THING, May, 2003. | Gunning for Columbine
• THE THING, April, 2003. | Sex, Our Hero
• "The Progressive," March 2003 | Exorcising Terror
• THE THING, July 13, 2002 | The Grand Guy, Santiago Sierra
• THE THING, June 20, 2002 | The Trials of Henry Kissinger
• THE THING, June 7, 2002 | Overcast Skies
• THE THING, March, 25, 2002. | Imagined Testimonies
• THE THING, February 28, 2002 | Waiting for an Identity
• | Any Persons, Living or Dead
• THE THING, 2002 | Positively Prince Street